5/5 Spike At His Best
  by Derrick Dunn (Woodbridge,VA)
Jungle Fever is a film about interacial dating, black romance, fathers & sons and many other deep issues. The film hit home for me because as a black man who is married to a loving wife who happens to be white. It opened my eyes to a lot of things. I realized that love sees no color and iif you love someone color doesn't matter. Samuel L.Jackson desevered a Oscar Nod for his role as Gator the crack head. Spike delivers once again.

3/5 Not quite catching the fever...
  by Andrew Ellington (Mulholland Drive)
PLEASE NOTE:

In preparing to write my own review for this film I happened to read The New Yorker's review posted on this site and realized that it took the words right out of my mouth, so please, forgive me if this sounds a tad repetitious.

On with the review...

I finally got around to watching `Jungle Fever' last week. I have to admit that all week I've been singing `Jungle Fever' to just about everyone I see, and at times even to myself (that song is just so catchy) but when it came to actually dissecting the film I realized that as a whole there isn't much to remember. Knowing that the basis of this film is a heated affair between a married black man and his white (Italian) co-worker you'd think that there would be a lot to write home about, but the affair is really only here to spark heated debate about whether or not the white women are stealing the black men. Once Flipper (yeah, that's his `real' name) and Angela `do the deed' they seem to become detached and uninterested with one another and the film spars off in another direction completely.

Spike Lee has always been a director for racial controversy, and for the most part his studies work (they tower above the mediocrity that is Tyler Perry, that's for sure) but `Jungle Fever' seems to get lost in its own opinions and ideals. Lee doesn't seem to be able to transfer his feelings on the subject of `race relations' in a coherent and tactful way. Everyone's conversations on the matter are completely one sided and only prove to further embellish stereotypes, which is not something I expect from Spike Lee's work.

In moments, `Jungle Fever' reaches `Crash' depths of racial shallowness. What `Jungle Fever' does have on its side is its age. Whereas `Crash' was trying to paint every situation as racism in a time that has advanced so much in that department, `Jungle Fever' has the advantage of being from a time (early 90's) when racism was a lot more prevalent and so when Flipper is passed over for partner because of his skin color it is believable.

That said; it still tends to go a little too far in moments.

In fact, when you remove the stereotypes and racial approach to the film you find the most intriguing and effective aspect of the film; Flipper's brother Gator (I know, seriously?). Gator is a crackhead living on the street and constantly taking advantage of his family. While his story has nothing to do with `interracial dating' he actually makes the loudest statement in the film. In fact, his subplot is by far the most interesting, and his interactions with his mother and Flipper are the highlights of the film.

The performances here are also very well done. Samuel L. Jackson is the scene stealer (and really should have been Oscar nominated for this) as Gator. He has a difficult job of making his `humorous' character more than just a walking cliché, and he does just so (especially as his characters sub-plot reaches its climax). Ruby Dee is also magnificent as Lucinda, Gator and Flipper's mother. The scene at the dinner table with Flipper and Angie is brilliant, especially when she leaves to breakdown in the kitchen. John Turturro and Frank Vincent and Anthony Quinn and Veronica Webb all deliver memorable supporting performances and Lonette McKee is sympathetic as Flipper's jilted wife. Spike Lee should stay behind the camera for he's not nearly as charismatic in front of it, and while Ossie Davis's character is somewhat the pinnacle of the films morale he delivers his lines in such an excruciatingly dry manor that I found him a bore.

And then there is Halle Berry in one of the funniest cameo performances I've ever seen; period.

That leaves us with Wesley Snipes and Annabella Sciorra, the films stars. Snipes is not the greatest of actors. He's an action buff who has a hard time joggling a weighty film (in my opinion obviously). Here he does better than I expected, but not as good as he should have. He seems almost disinterested with Angie, his eyes parading this guilt that makes his relationship with her feel forced and faux. Sciorra was drastically different, engaging her character marvelously. Despite the fact that Lee grew tired of the interracial relationship almost as soon as it began, Sciorra never grows tired of fleshing out her character. Every time she is on the screen she is working it, and doing so brilliantly.

The film is not a brilliant character study, but it works to a certain extent. I don't think that it carries Lee's message in the proper way, and at times can come off amateurish in its delivery (the dialog is a mess in parts). Some brilliant performances elevate the script, and the overall feel of the film is not one of total disappointment. I can see why so many like this movie, but truth be told, it could have been a masterpiece.

2/5 Spike's Racial Fever
  by Dennis W. Wong
Spike has said in an interview that when he sees an interracial couple that he wants to throws darts at them. After seeing part of this terrible, cluttered film on cable--I can see where he's coming from. I particularly felt sorry for the 2 main actors in the film, Wesley Snipes and Annabella Sciorra, their parts were terribly written resulting in caricatures. The only saving grace of this movie was Samuel L. Jackson's portrayal as Gator, Snipes drug addict brother. That's the only reason I gave this film an extra star because if he wasn't in it, this film would be totally unwatchable!! Lee has a tin ear for dialogue maybe he should study David Mamet or Elmore Leonard on that aspect. There was an opportunity in the film also to comment positively on the inter-racial aspect of romance with the subplot involving John Turturro's infatuation with a Black female in the neighborhood but again Spike blew that aspect to bits on that. And as far a director of actors, he allowed the great Anthony Quinn to over-act!! So along with "Mo Better Blues", I've been unable to watch a Spike Lee film in its entirety with the exception of perhaps "Malcolm X", "Clockers" & "The 25th Hour" (Edward Norton) but those films weren't written by Spike!! So if you really serious about cinema, check out better directors like Bill Duke (Hoodlum), John Singleton (4Brothers, Shaft) or Carl Franklin (One False Move, Devil in Blue Dress, One True Thing). These brothers have it, Spike, no way Jose!!

3/5 Spike Lee Film With Interesting Episodes
  by Lynn Ellingwood (Webster, NY United States)
This film is good and I recommend it but there is too much and the film is too cluttered to be a great film. Spike Lee puts everything including the kitchen sink in the film. There is a crack head brother who gets killed like Marvin Gaye. An educated son who is married to a woman who is half black, half white and identifies herself as black and has an affair with a white woman whose Italian working class relatives harass her for it. The reaction to the black/white affair is very harsh. While it may have been true for working class Italians and blacks in NYC, I still wonder. Seems that people are a lot more comfortable with it than they used to be. The plight of black people are also a strong basis for the film. Spike had several movies in this one movie and several good/great ones could have been made. He has a lot to say and is a great filmmaker.

4/5 Film #5 Interracial Relationships
  by E. Drake (Northeast, USA)
I am going through all of Spike's films chronologically. This is Spike Lee's fifth film and follows along the lines of "Do the Right Thing". So far this is my second favorite (of five) Spike Lee films.

It is an excellent film because of the intensity of numerous scenes throughout it. In fact anyone out there who has not yet seen this film must see it for the following scene in particular. Here is a brief description.

The scene I am referring to is the one in which Wesley Snipes scopes out his brother. It begins with a woman preaching in the name of Jesus over a great soul song (the film was scored by Stevie Wonder) with heavy bass lines. Snipes walks through the city asking for his brother's whereabouts and is finally led to the Taj Mahal, a place swarming with people using and abusing crack. We finally find Samuel L. Jackson, Snipes' brother in the film, with Halle Berry (in her very first performance).

Other notable scenes are when Annabella Sciorra's, Snipe's girlfriend in the scene, father finds out she has been dating a black man or when Samuel L. Jackson's character, Gator, goes home one last time demanding money, from his mother, for his addiction.

As for the acting, the film is packed with incredible performances. Ossie Davis, John Turturro, Anthony Quinn, Samuel L. Jackson, Ruby Dee, Annabella Sciorra and Wesley Snipes are all superb actors in this film.


I agree with other reviewers, mentioning how over-the-top some of the people's reactions are to the interracial relationship central to the story. However, I refuse to say that they are unrealistic. I believe Spike Lee has merely acted out many of the thoughts of the racist person to show how dangerous such thoughts can be.