5/5 trust me folks, it's a good one!
  by R. David Roe (Hixson, Tennessee United States)
Two things killed this movie at the box office when it was first released: first, its title. Americans didn't seem to know what a "proxy" was, much less a hudsucking one. The second was its time of release. The movie came out in May as an early summer release but was actually a movie that would have been better received at Christmas. "Jaws" is a prototypical summer film. "It's A Wonderful Life," by comparison, would hardly be a summer blockbuster but sets the perfect tone for the holiday season. Come back in twenty years and you will find that "The Hudsucker Proxy" IS the Frank Capra classic for a new generation. It is Capra meets "Metropolis" blended with the smart humor of the Coens. The casting is near perfect. Tim Robbins is the naive and goofy savant. Paul Newman is as wonderful a villain as you will find as the evil Sidney Mussberger. Only Jennifer Jason Leigh takes a bit of getting used to as the tough talking reporter but she will move you by movie's end. I've had to beg, plead, wheedle and cajole my friends through the years to watch this movie and not let themselves be turned off by its title. Thus far it's left no one disappointed.

4/5 Great movie, not-so-great DVD
  by Raphael See (Dallas, TX United States)
The Hudsucker Proxy is one of my favorite movies of all time. I won't go over what's so great about it because you can get all that just as well by reading the other reviews on this page.

I do want to address the quality of the DVD, however. While the DVD does offer both standard and widescreen mode (anamorphic, no less), it decidedly comes across as a sub-par job. The transfer is terrible, dark and grainy in places and completely washed-out in others (the dancing scene made me wonder if something was wrong with my player). The sound is in Dolby stereo rather than the 5.1 channel surround just about everything post-1990 is available in. Not to mention the complete lack of extras: no actor bios, commentary (which I would have really liked to have seen) -- not even a theatrical trailer. For a movie of this quality, I would have expected a lot more.

I love this movie, so I got it anyway and am happy with it (after all, it won't deteriorate like VHS). But don't expect a Matrix quality disk or anything.

4/5 Terrific Premise and Acting; DVD flawed
  by ADM (New York City)
The movie's middle third is unbelievably funny, and Jennifer Jason Leigh is perfect. Buscemi shows up briefly during a scene at the Beatnik bar. The DVD isn't of great quality, though. The first hint comes from the fact that "Ethan" (as in "Coen") is spelled "Ethen" in the jewel case's blurb. As soon as you begin watching, you'll notice the graininess in the opening shots, and some jaggies during a pan from Tim Robbins on the ledge. The DVD is ok from then on, until you get to the dancing sequence with the white background. So, the disc is a hack job (maybe that explains the low price, too), but the movie is so well done you can overlook it for all but about 10 seconds.

5/5 A BLOCKBUSTER THAT, INTRIGUINGLY, NEVER QUITE BECAME ONE!
  by Shashank Tripathi (Gadabout)
If Fargo could bag an Oscar, The Hudsucker Proxy should be Required Viewing. To put it simply, this is sheer genius on tape, there really is so little not to like about this film.

The Coens attempted to revive the screwball comedy genre, and boy did they do it. Tim Robbins enjoys himself immensely as the gormless mailroom boy promoted to company President in the space of one day as a patsy to allow boardroom creeps to gain control of the Hudsucker company. Jennifer Leigh's amalgam of Katharine Hepburn/Rosalind Russell/Jean Arthur (from the 1930s) is priceless. I personally felt Paul Newman was a bit wasted in his role, but that's just me.

However, these performances would be for nothing if it wasn't for the marvellous script- witness the boardroom scenes in which the directors discuss how many floors it was that Mr Hudsucker fell ("not including the mezzanine") or the scene in which they interrogate Norville about his new invention. The script is also responsible for the fantastic line "Y'know, for kids!" which means nothing if you haven't seen the movie but now always makes me laugh whenever I think of it.

Film making at its finest. Rent it, steal it, embezzle it -- but watch this gem!

5/5 You know . . . for movie lovers!
  by
Massively undervalued thematic sequel to *Barton Fink*. I say that because *The Hudsucker Proxy* (a bad title that guaranteed box-office oblivion, btw) treads a lot of the same water as the earlier film: hucksterism, commericalism, the notion that one person can singlehandedly come up with One Great Idea -- in short, the American Dream. This time, it's the world of business instead of Hollywood, but the corporate fatcats at Hudsucker Industries are relevant enough "proxies" for movie-studio fatcats; i.e., the point is well-taken. Indeed, the movie is -- as most Coen Brothers movies are -- about movies themselves, and you're not giving the Coens enough credit if you think *The Hudsucker Proxy* is merely a send-up of some Frank Capra movie. It's a send-up of the entire film industry, which is pretty cheeky, considering that this was their first "big-budget, major-studio" production. If you must have it: the plot concerns a doe-eyed graduate of Muncie Business College who winds up in the basement mailroom at Hudsucker Industries in New Yawk City. The President of the company has just taken a swan-dive from the 45th floor (not counting the mezzanine). Meanwhile, the fatcats on the Board of Directors, of which Paul Newman is the cattiest, come up with the brilliant idea of promoting a moron to the President's chair in order to devalue Hudsucker stock -- that way, they can buy up the remaining shares of the company, after which the moron can be comfortably dispensed with. But Tim Robbins, the putative moron, has one killer idea up his sleeve that throws a monkeywrench in the gears. But don't take all this too seriously. The fun's in the details . . . and, let's face it, you probably have to be in on the joke to really appreciate what the Coens are doing here. Meaning? They assume you have a knowledge of old-movie conventions, and that you appreciate the homage this movie pays to them. Basically, they insist that you bring something to the party. They insist you get off your Lazy-Boy and meet them halfway. Oh, by the way: the movie's hilarious, too.