So, what you really have here is a variation on It's a Wonderful Life and A Christmas Carol, with all the themes reversed to hellish extremes. The plot doesn't hold together all that well, but you can't fault the film for establishing and maintaining a heavily somber tone. This is pretty dark stuff, after all, and although Hellraiser fans will lament that Pinhead's appearance is relatively brief, he's presented here in an intriguing new light--not merely an icon of pain and suffering, but a giver of counsel and justice to those (like Sheffer's cop) who arguably deserve the eternal anguish they will receive. Does that make Pinhead a good guy? If this otherwise lugubrious sequel achieves anything, it's that it raises that question and lets the viewer decide. --Jeff Shannon