Inheriting the Robe's Cinemascope Production Values, demetrius And The Gladiators Has Everything You'd Want In A Biblical Epic, Riding The Wave That Would Crest Two Years Later With Cecil B. Demille's the Ten Commandments. It's Campy, Of Course--robinson Is Outrageously Over-the-top; Mature Is Too Contemporary (preceding The Absurdity Of Richard Gere's king David By 30 Years); And Hayward Seems Closer To Rodeo Drive Than Ancient Rome. Still, There Are Abundant Pleasures Here, From The Lavish Arena Battles (a Bit Cheesy, But Still Impressive) To A Straightforward Morality Tale That Doesn't Compromise Its Themes Of Religious Loyalty. You Don't Watch Movies Like This For Historical Accuracy, But For The Combination Of Thrills, Passion, And Glory That Were Hollywood Trademarks Of 1950s Epics, Long Before The More Secular Ambition Of gladiator. --jeff Shannon Rome, soon after the death of Christ. The depraved and mad Caligula is on the throne, obsessed with two things: the Robe, the garment that fell from Jesus' shoulders on the cross, and brutal gladiatorial displays. Victor Mature is the devout Christian entrusted with the Robe by Peter (Michael Rennie). But he turns his back on God, enters the arena, and becomes the most famous gladiator in Rome. Sharing the bed of the powerful and diabolical Messalina (Susan Hayward), he may even betray the Robe - and any hope he has for redemption!