Eight days is about as long as Return to Paradise stayed on theater screens--the victim, perhaps, of Anne Heche-Ellen DeGeneres burnout in the press, or just too damn many movies out there to keep track of. Whatever the reason, it's a pity, because this is one of the most compelling movie-movies in recent memory. The screenplay turns the ethical-psychological thumbscrews with insidious effectiveness, despite the probability that the two writers brought separate agendas to the project--Wesley (Cape Fear) Strick working the complicity of the two home boys (each represents the halving of the other's prison sentence if they both agree to go back), and Bruce (The Killing Fields) Robinson revving his engines for another face-off of implacable East and irresponsible West. And director Joseph Ruben, specialist in serving up B-movie excitement with class-A skill (Dreamscape, The Stepfather), does his sleekest work yet.
But the real news is a trio of career-best performances: Phoenix, harrowing as a child-man whose sanity has been all but eaten away by terror; Vaughn limning a fascinating portrait of a man at war with himself, self-interest and furtive decency seesawing in his conscience; and Heche, part cagey poker player, part angel of mercy, mixing strength, delicacy, and desperation with devastating precision. Oscar blinked, three times. --Richard T. Jameson
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