Rivalled only by "The Evil That Men Do" and "10 to Midnight" for the accolade of Bronson's best movie after his 70s heyday.
I've watched this film several times and always enjoy it. Kathleen Wilhoite makes a sparkling and memorable debut and was seen recently in the first season of "24".
Bronson fans are very unlikey to be disappointed in what is - like many later Bronson pics - pretty standard good action fare elevated by the great man's personal charisma. Therefore, this film is perhaps unlikley to ensnare any new converts. 5/5 murphys law by charles bronson plays jack murphy he is trying to stop a killer jack murphy bronson is framed for murder of his wife he has no choise to escape and find the real killer the movie is full of action and thrilling game of hide and seek the movie is directed by j lee thompson and is one of bronson better older movies a must for all bronson fans 4/5 "Ladies first" is the last thing this lady will hear, thanks to Jack Murphy by C. O. DeRiemer (San Antonio, Texas, USA) Murphy's Law: If anything could possibly go wrong, it will. Murphy's Second Law: Don't mess with Jack Murphy. (Substitute the usual word for `mess.') Murphy's Law is a lot better than some people would have you believe. Yeah, yeah, it's a Charles Bronson film from the Eighties, a period when a lot of film enthusiasts sniffed that Bronson was little more than a stuffed dummy who phoned in his performances. Bronson is one of those actors who make condescension drip from the lips of some cineastes. Charles Bronson was no typical Hollywood actor. He didn't have to be. With that worn-out, weary, tough face he could set a scene just by being there. Bronson was Bronson, and we knew the kind of taciturn, honest, relentless character he'd be. Bronson was a private man, kept to himself, was realistic about his talents and proud enough to deliver the goods. With all that said, you either kind of like his star movies, or at least some of them, or you kind of don't. Murphy's Law is one I like. Jack Murphy is a police detective on the downslide. His wife, a stacked stripper at a gentlemen's club who fancies herself a dancer, has just divorced him. Murphy doesn't want to let her go, drinks himself into a stupor most nights and shows up for work with stains on his rumpled suit and bad breath. Then his wife is killed and he's arrested for her murder. Jack Murphy knows he must find out who the real murderer is, so he breaks out of jail. While he tries to identify the killer, the killer bumps off one person after another who helps Murphy or who was associated with him. Early in the movie we know who the killer is (this is no spoiler), a psycho named Joan Freeman (Carrie Snodgrass). Murphy put her behind bars ten years ago and now she's out. She's ready for some wet revenge. She leaves corpses in her wake. She pumps iron with a vengeance. She smokes. She's also handy with a garrote, a cross bow and a pistol. Never, never take a bath with her. With just this as a plot Murphy's Law might have been an efficient, violent and reasonably entertaining Bronson movie. What I like about it is the gimmick -- the relationship between Murphy and a foul-mouthed young thief named Arabella McGee (played by Kathleen Wilhoit). Murphy had been handcuffed to Arabella at the stationhouse after he was arrested. When he broke out he had to take her along with him. A movie cliché? Sure. I think it works because of Murphy's tough stoicism and Arabella's creative and energetic profanity. There's nice chemistry between Bronson and Wilhoit. Wilhoit looks more like a tomboy than a cutesy starlet, more a gamin rough around the edges. She's a good actress and holds her own with Bronson's screen charisma. When the handcuffs finally come off thanks to Arabella's lock-picking skills, she decides to stick around with Murphy. If he can clear his name, he'll clear hers as being an accomplice in the escape. And off they go, with Murphy now fighting a three-front war. Freeman is after him. A cop who hates his guts is after him. And a mob smoothie he beat up is after him. The climax is a rough battle between Murphy and Freeman in a dark, gloomy building already loaded with some of her corpses. Arabella proves useful. Murphy proves capable. The movie looks good on DVD. There are no extras of any consequence. 3/5 FORMULAIC , YET ENTERTAINING by Kendrik Lau (New York City) This is a typical Bronson movie...he played a cop being framed by an ex-con he sent to jail. The wrinkle this time is that the con is a woman, wickedly played by Carrie Snodgrass. Snodgrass, a foul mouthed neurotic, began murdering everybody who is connected to Bronson, in order to frame him, and everybody who sent her to jail, including the judge (whom she drowned in a tub) and the prosecutor (plastic bag suffocation).
Bronson himself is handcuffed to an equally foul mouthed female, but the two join forces.
This is an okay film, mainly due to Carrie Snodgrass' performance. She is so hateful that you just can't wait to see her comeuppance.
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