5/5 Brillant Film
  by Susan Trubow (San Mateo, Ca 94403)
Jane Campion offers a well crafted inspirational look at the fortitude of the gifted writer Janet Frame. Beautifully filmed and well acted.

5/5 A Biography of Beauty
  by A. Gyurisin (Wet, Wild, Wonderful Virginia)
The story of Janet Frame is not a happy one. As I look through the shelves of books that I have within my home, I notice that the stories I have of theirs are not of the happiest nature. Most biographies tend to go in a direction that pushes the reader into a darkened realm, a world that would otherwise be unknown to them, to bring a reader into a level of pity, remorse, or sadness for whomever they are reading. Janet Frame has had a very troubling life beginning with a life of poverty, a lack of romance, a misdiagnosis of illness, and finally a family death. She is a socially inept person, never willing to stand out in a crowd, but would rather shove her nose in a book, and write powerfully about the world around her. Her life has been chaos, but she has overcome, challenged herself, and prospered into the writer she is known today. With this said, when the option of bringing Frame's life to the bigger screen blossomed from thought, who better to helm the project than the woman who brought us "The Piano" and "In the Cut", Jane Campion.

Campion's work throughout the years has been inspirational, dark, moving, and powerful. Her ability to bring characters alive through words, actions, and emotions cannot be matched by many directors in Hollywood today. For this critic, her work is reminiscent of a female Lars von Trier, in which her ability to bring these larger than life characters out of their shell transforms them into darkened characters which evoke inspiring (yet saddening) events. As I watched "An Angel at my Table", I was reminded of Bess' journey with her husband, and consequentially her life, in Trier's "Breaking the Waves". Campion, without a doubt, is a director that stands on her own two feet and this film is pure example of that. To begin, Campion's direction is flawless. This is nearly a three-hour long biography of Janet Frame's life from young girl to the author she became. For some directors this may create an opportunity to enhance other characters, to trivialize smaller events so that we can do bigger things, or to just push along, very slowly, until we all nod off from boredom. Believe me; I have sat through my fare share of stunningly dull biopics. Campion proves she is better by breaking the film into three segments (three parts of Frame's autobiography), giving us amazing imagery coupled with a brisk pace that doesn't loose any of its translation or excitement. Her use of colors, the boldness of Frame's red hair, the powerful background of New Zealand (and eventually Europe) challenges us to pay closer attention, giving us not just a story worthy of our minds, but also our eyes and heart. The colors also provide a vivid counterpoint to the harsh realities of what Frame faces, her fears and her erroneous placement into hospital.

I thought this film was flawless, thus I can continue to babble on about how much I enjoyed Campion's film technique and style. She allowed us to make our own decisions on Frame, but also filmed in a style that never cramped our viewing space. We were never forced to just focus on Frame, but we did because Kerry Fox gave us this pure, uncut portrayal of Janet Frame. Due to this originally being filmed for New Zealand television, I can only assume it eliminated Fox from being nominated for an Academy Award, but she 100%, who heartedly, hands-down deserved it. Her performance, from someone I had never seen before, was phenomenal. She literally transformed herself into this character, every step that Fox took on screen she was taking it in the way that (we can only assume) Frame would do it as well. What I am trying to say is that while I never saw Janet Frame herself, Fox never went out of the character we were first introduced to. Fox's Frame grew with each frame, exposing herself differently to us and giving us a new side of her each time. Again, I am drooling on myself, but "An Angel at my Table" is one of those films that should be watched by film students eager to learn how to get into the mind of their characters. This would prove to them that there is more than just what is written on the page, and fully demonstrating how to bring a soul into a man-made story. Kerry Fox was everything you wanted to see on screen, she was emotional, sensitive, caring, unquestionably curious, scared, and yet completely and utterly human. Coupled with Campion's direction, the two take what could have been a bland film and transformed it into one of the greatest performances over the past 20 years.

For what other reasons should you watch this film? If you aren't as impressed with the direction or Fox's performance, Criterion packs the DVD with plenty of bonus features, but as well as an amazing transfer. The sound, the music of Frame's life, is breathtaking. It accompanies the vision and Fox's actions perfectly. The song sung by the sisters on the beach of New Zealand still remains with me today, nearly four days after my viewing of this film. The other actors are very good in this film, alas; I cannot say anything further because my focus was entirely captured on Kerry Fox. Yes, she was that amazing. The bonus features on this disc, as mentioned before, are great to learn more about how Campion directed this film as well as her thoughts via an audio commentary. In essence, the Criterion release of this film is the only way to watch this. It is a flawless disc for a flawless film. I am excited and proud to have this within my catalogue of films.

Overall, in case you haven't been paying attention this entire time, "An Angel at my Table" was nothing short of perfection. When I raise this film up to other biography based films, there isn't one that compares. Campion's work continues to impress as she grows, developing her strengths in other genres, and pushing actors to new limits beyond what we expect, i.e. though battered by critics, see Meg Ryan's performance in "In the Cut". "An Angel at my Table" has a perfect blend of score, outstanding visuals, enthralling storytelling, and again, this powerful ability to control her actors and expect nothing less than their best. Kerry Fox should be studied by students in this film, Campion's direction glides this actor from scene to scene, but Fox carries it all on her shoulders, with pride and with power. This was not an easy film to create, but with Campion and Fox behind the helm what could have been a very dull, overly dramatic biography on the great Janet Frame, transformed into this staple of modern cinema, a map (so to speak) for others who wish to create films based on real people - "An Angel at my Table" would lead you straight to the gold. Watch it. Be impressed. Than watch it again. Rinse, wash, repeat.

Grade: ***** out of *****


5/5 An Angel At My Table
  by John Farr
Based on Frame's celebrated autobiographies and lovingly photographed in verdant, coastal New Zealand, this poetically fashioned account of a truly extraordinary life is a testament to the sensitive vision of director Jane Campion ("The Piano"), who fastens onto dark emotional details in Frame's harrowing story. With a deft, moving performance from Kerry Fox, who plays the fragile, childlike Frame with an eccentric purity of heart, not to mention stunning visuals and exemplary acting from a marvelous cast of pros and amateurs, "Angel" is tailor-made for those who value dense, literate drama.

4/5 A Portrait of an Artist
  by Galina (Virginia, USA)
"An Angel at My Table" (1990) made by Jane Campion is a true life-story of Janet Frame (1924-2004), New Zealand's most famous author. The film starts with young Jane, a funny -looking red haired girl, shy and quiet who knew too well that she was "poor, smelly, and unpopular". Then it follows her to misdiagnosis of schizophrenia and more than 200 electroshock treatments in a mental hospital where she had spent eight years and a severe, lifelong shyness that was her only problem. Even in the hospital she was writing and was able to have her book published - writing did save her from losing her mind. The film is based on three of her memoirs, "To the Is-land", "An Angel at My Table" and "The Envoy from Mirror City".

Jane Campion made a very affecting and quietly powerful portrait of a writer who also was a gentle and genuinely humble woman. The film is never a sentimental manipulating story of a talented but misunderstood artist. It does not idealize Frame but it is a very honest and sympathetic portrait of an artist.



5/5 "Hush...Hush...Hush..."
  by Tom S. (New York City)
Writers, take note: Here is a very, very rare example of the creative spirit--and the creative process--captured on film. This story of the formative years of Janet Frame, New Zealand's most celebrated poet and novelist, is fascinating from start to finish.

Director Jane Campion's great achievement (aided immeasurably by three marvelous actresses playing Janet Frame at various ages) is to bring to a wide audience a sense of what it is like to be a creative artist. Watch Janet throughout her odd, harrowing, uplifting early years, and you will see the evolution of a true genius, a human sponge who soaks up all her experiences (good and bad) and converts them into gorgeous words. Rarely has a film been able to illustrate this so convincingly.

I recommend this film to anyone interested in the nature of genius. But for writers, in particular, it is required viewing.