"this Is Surely One Of The Most Engagingly Inventive, Thoughtfully Witty And Vital Productions Ever To Enliven The Australian Operatic Stage." Sun Herald
"tenor David Hobson And Soprano Cheryl Barker Bring The Lead Roles Thrillingly To Life, Playing On Audience's Heartstrings With Their Sweet Duets And Convincing Acting." Telegraph Mirror

featuring: Cheryl Barker Mimì; David Hobson Rodolfo; Roger Lemke Marcello; Christine Douglas Musetta; Gary Rowley Collin; David Lemke Schaunard. Conductor Julian Smith, Director Baz Luhrman ,australian Opera And Ballet Orchestra. Recorded Live At The Sydney Opera House, February 25, 1993.

It might be possible to know this La Bohème and not love it, but I have never met anyone who felt that way. "Oh yes," said a friend, "that's the good one where everybody is the right age." The youth and freshness of the singers are, in fact, major assets in this production. Youthful high spirits and vulnerability are delicately portrayed, with sharp contrasts between the Parisian bohemians' abject poverty and their carefree lifestyle. On DVD, La Bohème is the work where the competition is strongest. Solid arguments can be made for the staging of the Metropolitan Opera production or the vocal quality of the San Francisco production, but the Australian Opera offers the closest identification of performers with the characters they represent. The effect is usually touching, sometimes downright electrifying.

For this production, the story is moved up to Paris in the 1950s. A veneer of existentialism, a sense of the absurd, can be detected in the young men's lifestyle, but the implicit message is that, even with electricity (e.g., a massive neon sign celebrating "L'Amour"), bohemian life in the 1950s was essentially unchanged from the 1830s. There are good performances throughout, particularly by David Hobson (Rodolfo) and Cheryl Barker (Mimi), and the direction of Baz Luhrmann (Strictly Ballroom, Moulin Rouge) is outstanding. --Joe McLellan