Sexual tension between Tom and Diana remains ambiguous this season, though Diana flatly rejects Tom's invitation to move in with him in Episode Two. Diana's staunch feminism is repeatedly elucidated when she takes offense with various situations, such as the Granny contest, or when a pretty new woman moves in on Episode Three, attracting the attentions of Bayview men. Diana's spinster appeal grows, though one wonders if and when she will ever let her guard down. Tom's character is deepened as well, as he confesses his loneliness and trains to be a Death counselor for those grappling with impending end. As much as the characters have changed, though, they will remain familiar to those who have appreciated them from the beginning. --Trinie Dalton
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