An intelligent script helps the movie over the episodic nature of biopics, and Camryn Manheim and Robert Patrick are nice casting as Elvis's parents. But the whole thing hinges on the central E-casting, and here Jonathan Rhys Meyers proves a mixed bag. He appears a little intimidated by the role, and never quite owns it, even if he's very good as the dewy, more-or-less innocent Elvis. Having to lip-synch to the original recordings makes Rhys Meyers look outmatched at times: how's that big sound coming out of that spindly guy? Kurt Russell's performance in John Carpenter's classic TV-movie remains the gold standard. This take on Elvis makes him out to be a pawn in a crazy game, rather than a self-directed musician with a very distinct vision of his own. --Robert Horton