Feeling respected and loved in the early days of his sobriety, Frank does what a lot of people do in similar situations: take stock of past mistakes and be completely honest with everyone. When he reveals to his companions and AA group that he has, at times, seriously messed up his work as a killer because of booze, the universal response is supportive with only a streak of, well, moral ambivalence. From there, the sky's the limit for a hired gun with a boost in self-esteem. You Kill Me is the kind of movie that can get an audience to suspend disbelief significantly without drawing too much attention to that fact. But that doesn't mean the film's noir roots don't show. Director John Dahl (The Last Seduction) has made You Kill Me as tough as any other movie he's shot, and his fascination with human weakness and resilience in the face of unexpected obstacles enriches a wonderful story. --Tom Keogh