dvd Features:
audio Commentary
biographies
deleted Scenes
documentary
interviews
production Notes

In fact, fluffy and clever as some scenes are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at how death begets life, love, and passion. --Trinie Dalton


North & South

North & South is a splendid, four-hour adaptation of Elizabeth Gaskell's 19th century novel about an unlikely, and somewhat star-crossed, love between a middle-class young woman from England's cultivated south and an intemperate if misunderstood industrialist in a hardscrabble, northern city. Daniela Denby-Ashe plays Margaret Hale, forthright and strong-willed daughter of a former vicar (Tim Pigott-Smith) who relocates his family from a pastoral village outside London to unforgiving, largely illiterate Milton, a factory town where John Thornton (Richard Armitage) and his mother (Sinead Cusack), survivors of poverty, rule their cotton mill with an iron hand. Thornton befriends Margaret's father but incurs her wrath for his severity with his workers. What she doesn't notice is Thornton's core sense of responsibility for his employees' welfare. On the other hand, he misinterprets some of Margaret's own actions and intentions. Equally stubborn, the two drag out their obvious attraction over many painful months and events.

North & South's two leads are both very good, though Armitage's brooding, penetrating performance may very well be considered a classic one day. There are other wonders in the cast: Cusack and Pigott-Smith are superb, and Brendan Coyle is memorable as a firebrand union organizer who ultimately becomes an ally to a softening Thornton. The miniseries script by Sandy Welch is a persuasive mix of historical context and character study. Brian Percival's direction is full of moments that linger in the imagination, such as the winter-dream look of a busy cotton mill, with thousands of snowy fibers floating in the air. --Tom Keogh