4/5 Not A Bad Movie At All
  by C. Wieninger (Maine)
For a non-Hollywood movie, this Indie film is pretty darn good. The story is fun and easy to follow, the characters are lovable, and it's actually very true in its portrayal of the cultural differences between Americans and Japanese. The director also mentioned in an interview that the budget for the movie was very, very small, which meant that the actors in the movie were cast for their love of the characters and not for the paycheck.

All-in-all, I'd say that this is a great movie with a lovable plot and amazing actors portraying deep, rich characters. Definitely a must-see.

1/5 Witty movie, Meant to put 5 stars, whoops!
  by E. Cox
This movie was great. It's nice to be able to have some comedy without anything crude in the content.

4/5 In for a different comedy?
  by A. Castillo
Ok so the writter/director/actor David Boyle was a friend of mine in high school and I got wind of this, one of his first feature movies. Having known him and his sense of humor I loved this movie. Not all might appreciate it but it is brilliant if you take the time to finish it through. I mean when did you ever hear a suburban white mormon speak great japanese through an entire movie? I laughed my a$$ off. You rock Dave.

5/5 Funny, smart, and witty
  by the better half (honolulu, hi)
I saw BIG DREAMS, LITTLE TOKYO at the Movie Museum this past weekend. As someone who has edited many translations and who works for a journal that focuses on the Asia-Pacific region, I found much in it to appreciate and enjoy.

BIG DREAMS was directed by Dave Boyle, who also plays the main character, Boyd Wilson. Boyd is a young man who is not Japanese but who is fluent in the language and has the mannerisms and traits of a Japanese stereotype, including an obsequious manner and a determination to make a success of himself.

Set in Japantown in California, the film revolves around Boyd's inability to get people to take him seriously as a translator, bilingual teacher, and author of a book titled THE POWER OF WORDS. When the film starts, he has been failing for a while. His desire to succeed is as strong as his nature is subservient, however, and the two push and pull him throughout the film. A subplot involves Jerome, Boyd's roommate and a Japanese American guy with a burning desire--but little promise--to become a sumo wrestler. The two are losers who are trying to make their dreams come true.

BIG DREAMS is funny, smart, and witty, and though Boyd is nerdy and clumsy, he eventually wins our sympathy and our admiration. We are cheering for him as he attempts Olympic leaps over the obstacles in his path.

5/5 A culturally-conflicted Chaplin for the 21st century
  by ShriDurga (Japan)
Big Dreams, Little Tokyo is a quirky and refreshing comedy of cross-cultural misunderstanding and the search for identity.

Boyd Wilson is a young, white American who wants nothing more than to be Japanese. With Chaplinesque sincerity, he confounds native Japanese with his perfect language skills, and puzzles others with his mimicry of outward forms of Japanese behavior, including the standard dark business suit and briefcase, oiled-hair, black-rimmed glasses, exaggerated bowing, and what one Japanese describes as his "poker face." Unlike his successful father, who appears in the occasional letter to remind his son that it's never shameful to work for someone else, the young Wilson struggles to build his business empire hawking copies of his language textbook, offering English lessons to Japanese immigrants, and hustling corporate translation work. He's not very successful at any, and so to reduce expenses takes in a roommate, another conflicted young American, this one of Japanese extraction. Jerome (Jason Watabe) was always too Asian-looking to be accepted as an American and dreams now of being a sumo wrestler. He lives with Boyd not only because he's also penniless, but also for the free Japanese lessons.

Together the pair stumble through a number of misadventures teaching language lessons, starting a catering business, and translating corporate negotiations, while a charmingly-played, slow-developing romance blossoms between Boyd and one of his Japanese students. Many of the gags are predictable, which in the end is not terribly disappointing as what really makes this film work are the actors, especially Dave Boyle as Boyd. When was the last time you saw a North American or European movie about Japan in which a non-Japanese could speak authentic Japanese? Besides the authentic linguistic skills, the performances seem unaffected, a genuineness that comes from Boyle and Watabe having lived the conflicts of their characters. The pair first met in Sydney, Australia working as missionaries for the Mormom church. Living among the immigrant Japanese community, they mastered the cultural skills of Japan while dreaming of making movies on their return to the United States.

If you've lived in Japan or among Japanese, you'll find lots of familiar humor in this film. You'll also appreciate the sensitive portrayal of both Japanese and American culture and most likely look forward to the newest project from this pair, a film currently titled White on Rice, slated for release in 2009.

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