The film's impact is powerful and complex. We come to see the very soldiers who broke Dilawar's body and spirit as victims, too--and patsies of a policy that, from Cheney and Attorney General Alberto Gonzales on down, ignored the Geneva Convention and shrouded itself (and commanding officers) in "a fog of ambiguity" while the grunts took the fall. A lot of these grunts testify here, and the accumulation of their individual perspectives on a shared tragedy is devastating. The latter half of the film features penetrating commentary from critics of torture as a policy (Senator John McCain was still one at the time), all of whom agree that it doesn't work and it only damages us. And for Theatre of the Absurd, there's a PR tour of (a discrete portion of) the Guantánamo facility, which turns out to be kinda like summer camp: "They get ice cream on Sundays." Finally, Taxi to the Dark Side isn't about torture or politics or the justness or unjustness of the war in Afghanistan and Iraq. Gibney is entirely correct when he says, "It's really about the American character and whether we have become something rather different from what we imagine ourselves to be." He's asking; he doesn't want it to be true. --Richard T. Jameson