In 1948's Women of the Night, the filmmaker returns to Osaka to focus on Fusako (Kinuyo Tanaka), a poverty-stricken widow who rebuilds her life after the war, then loses it all when her boss and sister betray her. Though Natsuko (Sanae Takasugi) attempts to make it up to Fusako, the situation only worsens once rape, syphilis, and pregnancy enter the picture (the liner notes indicate that Mizoguchi later dismissed this tough-minded movie as "barbarous"). His final film, 1956’s Street of Shame, centers on a Yoshiwara brothel that operates like any other retail establishment. The most painful strand concerns an aging courtesan facing an Oharu-like future. Overall, these women look like survivors rather than victims, but Mizoguchi leaves no doubt regarding his frustration with a social order that would create and punish such steely characters. --Kathleen C. Fennessy