1/5 I wanted to love it but - no way
  by J. Glueck (Wien, Österreich)
I've been trying to watch this movie for a couple of month now but I have not succeeded yet. Once in a while, when I have recovered from the previous try, I watch like 10, 15 minutes but then again I get so bored and annoyed that I have to turn the player off. I seems to be a kind of road movie where reality blends with dreams and daydreams. The pace is so slow, the direction is so poor and the dialogues are so bad! But the most annoying ingredient is the music. The score is so incredibly ill-matched with the movie, I have never seen anything like it. Where you would expect a kind of light-hearted, somewhat animated music, there are those depressing layers of sad strings that would better fit a psychological thriller or a documentary on sand in the desert.
I like the main actor a lot and the trailer of "Love Comes Lately" was modestly funny and witty but the actual movie, unfortunately, is very odd.

2/5 Really Bad for me,mabe GOOD for you !
  by G. Wann (usa)
The actors did a great job I just didn't get the tradition's . I can see some people really enjoying it. I really like all the actors. (Just did not enjoy it.)

4/5 Isaac Bashevis Singer Adaptation
  by The Movie Man (Maywood, New Jersey USA)
"Love Comes Lately" is based on three short stories by Isaac Bashevis Singer that combine fiction, fantasy, and autobiography into a comedy/drama of the conflict between the male ego and the inevitable physical decline of age. Though in a longtime relationship with Reisel (Rhea Perlman), octogenarian author Max Kohn (Otto Tausig) uses his frequent book tours as opportunities to let erotic imagination take flight. But his fantasy flings with a needy widow (Caroline Aaron) and a Cuban housekeeper (Elizabeth Pena) give way to a real-life intimate encounter with a former student (Barbara Hershey). Finally, a fondly recalled but painful interlude with a free-spirited woman (Tovah Feldsuh) challenges Max's peace of mind even as it inspires him.
Uniformly first-class performances give life to the characters here. Writer/director Jan Schutte portrays Singer alter-ego Max Kohn as a guy who, even at his advanced age, has little difficulty attracting women. What may seem at first a dirty old man on the prowl evolves into a fully fleshed-out character study of a writer who creates as long as he is inspired, and is inspired as long as he creates.