This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

Signs

This B movie with noble aspirations is the work of a gifted filmmaker whose storytelling falls short of his considerable stylistic flair. While addressing crises of faith in the framework of an alien-invasion thriller, M. Night Shyamalan (in his follow-up to The Sixth Sense and Unbreakable) favors atmospheric tension over explanatory plotting. He injects subtle humor into expertly spooky scenes, but the story suffers from too many lapses in logic. The film's faults are greatly compensated by the performance of Mel Gibson as a widower whose own crisis of faith coincides with the appearance of mysterious crop circles in his Pennsylvania cornfield... and hundreds of UFOs around the globe. With his brother (Joaquin Phoenix) and two young children (Rory Culkin, Abigail Breslin), the lapsed minister perceives this phenomenal occurrence as a series of signs and portents, while Shyamalan pursues a spookfest with War of the Worlds overtones. It's effective to a point, but vaguely hollow at its core. --Jeff Shannon

Unbreakable

Willis plays a Philadelphia security guard whose marriage is on the verge of failing when he becomes the sole, unscathed survivor of a devastating train wreck. When prompted by a mysterious, brittle-boned connoisseur of comic books (Samuel L. Jackson), he realizes that he's been free of illness and injury his entire life, lending credence to Jackson's theory that superheroes--and villains--exist in reality, and that Willis himself possesses extraordinary powers. Shyamalan presents these revelations with matter-of-fact gravity, and he draws performances (including those of Robin Wright Penn and Spencer Treat Clark, as Willis's wife and son) that are uniformly superb. The film's climactic revelation may strike some as ultimately silly and trivial, but if you're on Shyamalan's wavelength, the entire film will assume a greater degree of success and achievement. --Jeff Shannon