5/5 The Man Who Calmed The Storm
  by Mr. J. Baillie (Little Rock,ARKANSAS USA)
At last, living history on dvd where Cohen calms the hungry ,restless and angry crowd with his serene music and peaceful interpretation of life centered around his love and care for his fellow man -especially those who anguish.
One of a kind footage that has never been equalled by anybody ,in my opinion.
Lovingly filmed and beautifully produced.
Not to be missed by any Cohenites and anybody seeking a peaceful time to peruse this wonderfully put together product.


1/5 /l. Cohan
  by Wayne W. Wilbert
I Would gladly give a review of the L. Cohan CD, however I have net received it yet. Please check your mailing records. I did receive the Dylan CD-it is certainly different from any of Dylans other CD's. I have almost all of Dylans CD's-this is not the norm of Dylan. Still worth listening and purchasing.

5/5 A Masterpiece of Incomparable Beauty
  by S. Ihad (USA)
This is a an album that has been waiting to be released for 40 years. This is Leonard Cohen at the peak of his first phase ending with the album 'Live Songs' in 1973. This album fills in the gap from 1969 and 1971 - two crucial years that Cohen had no equal and yes including Mr. Dylan whom I also like and admire. The songs are all the early classics and a generous portion is included as well. The sound is superb and at times it feels and sounds like a studio album. This is how good the sound is. You don't have to be a die-hard fan to enjoy this album. It's good at any level of fandom. Now that I've been listening to it for a number of times, I am thinking of this album as if it's always been part of my Cohen collection. The album found its right place very quickly and snugly. The short poems fit in perfectly too as does the small talk: 'Marianne, hope she's here, hope she's here!' My last word is if you have even a slight interest in Cohen, you want this album. Thank you Mr. Cohen.

5/5 Poet, Mystic, Songwriter, Singer and Living Legend
  by Zarathustra (Sacramento, CA USA)
I have been listening to Leonard Cohen since 1967's Songs of Leonard Cohen. I have nine of his CDs on my shelf and 60 songs on iTunes plus 58 covers, which range from beautiful (e.g. Famous Blue Raincoat by Jennifer Warnes, an early backup singer) to wacky. It has been a common opinion through the years that Cohen does not have a good singing voice, hence the need for others to cover his songs. To which I reply: au contraire. Did Bob Dylan have a great voice? Well, no. But he was a great poet, songwriter, and singer. So is Cohen. It's true that his singing is sometimes off key, as was that of his compatriot Neil Young, but we forgive him for it.
Cohen never had the financial success of Dylan, but he is selling out concerts today at the age of 74. His recent DVD Live in London is a revelation. I have always avoided the concerts by has-been singers in their seventies that appear on PBS along with annoying sales pitches to buy the DVD for only $5 a month. But Live in London is different. He is like a wine that improves with age. He is deep.
This DVD from the Isle of Wight in 1970 gives a rare view of a young Cohen who had the power to inspire, heal and calm a large crowd that was out of control. You can see it in their faces.

5/5 The music of Leonard Cohen shines in a classic performance from his prime
  by Chris Zabel
Academy Award-winning documentary filmmaker Murray Lerner has unearthed quite a gem in making this film featuring Leonard Cohen's mesmerizing Isle of Wight performance from 1970. The 64-minute film deftly weaves modern interviews from relevant performers and associates of Leonard Cohen with the vintage musical performance by Cohen and his band, the affectionately named "Army" comprised of such stalwarts as legendary music producer Bob Johnston.

The audio quality is a sonic revelation, obliterating my expectations for a live multi-track recording from 1970 staged in front of 600,000 fans that had gotten rowdier as the festival progressed. Jimi Hendrix had performed his set before Cohen, with the crowd setting various things on fire like a piano and the scaffolding surrounding the stage. But the music was not to be denied, as Leonard Cohen slowly took the stage after they found a replacement piano and organ.

At 4 a.m. on August 31, 1970, the man introduced to the crowd as "a novelist, a poet, an author, a singer", began his intimate performance that encompassed most of the hits that had earned him acclaim, from "Bird On the Wire" to "Suzanne" and other well-known songs mainly from his first two albums. A nice surprise are the short stories Cohen shares and poem fragments he uses to introduce many of the songs. The crowd, who had booed previous performers like Kris Kristofferson, sat in rapt attention to the mostly acoustic set. My only quibble is that the complete audio performance by Leonard Cohen is not included on the Blu-ray. The CD version includes a couple of songs not shown in the documentary. I have no idea if the footage simply did not exist or was simply left out at the director's discretion.

The Blu-ray, on a single BD-25, is transferred from the original 16mm camera negative to 1080i. This is not footage that is going to blow viewers away by its visual quality. In fact on an absolute basis, the BD is well below the norm expected for high-definition titles. Prepare for an experience of limited visual quality. It is true that this Blu-ray replicates as closely as possible the 16mm film source the concert was shot in. The modern interviews, with such luminaries as Judy Collins and Joan Baez, are all in excellent picture quality, but do remind the viewer of the inherent limitations in the concert footage. Still, it looks like much of the other concert footage I have seen from the era on the Blu-ray format. The only notable defect is the continual appearance of an ultra-thin vertical black line that runs down the middle of the camera image on tight close-ups of Leonard Cohen. It looks to be the result of a continuous gate scratch on the original 16mm film. A small emulsion error in the original master also appears in the corner of the frame, later in the concert.

On a technical basis the transfer looks perfect without a hint of artifacting, revealing every limitation and nuance of the source material. The AVC encode consistently runs at very high bitrates, most of the time in the thirties. I would estimate an average video bitrate of 31 Mbps, which allows the fuzzy film shot in questionable lighting conditions to reveal its full resolution on Blu-ray. The image has a low-contrast appearance that is soft and has moments of poor focus. The black levels have some minor exposure problems, revealing a bit of noise. This is not a transfer with remarkable shadow detail, or even average detail, but looks on par with other concert footage I have viewed from the period. The Woodstock documentary on Blu-ray has similar picture quality. Tiny white specks that look like flash bulbs do pepper the image from time to time. It rarely becomes a distraction though.

The picture quality is tolerable enough to enjoy the real benefit of this BD release, the uncompressed high-resolution stereo PCM track at 24-bit/96 kHz and the lossless 5.1 Dolby TrueHD soundtrack. Both are simply spellbinding and really the only way one should listen to this material. Mastering engineer Mark Wilder has done an outstanding job. The music shows absolutely no signs of limiting or compression, and reproduces without fault this live audio document. I wish most music releases were mastered this carefully. There is not a hint of thinness to the sound, and the fidelity is surprisingly great for a project of this nature. At times the songs approach the quality of the studio versions in dynamics and clarity. The producer did not attempt to cover up any deficits in the original recording though. A few microphone pops occur and occasionally instruments bleed into other channels. The audience is barely audible most of the time except during the musical interludes. With both SACD and DVD-Audio being commercially irrelevant for the major music labels, this disc is the best fidelity we will ever see this music presented in a commercial medium.

A lot of care and thought has gone into the packaging and presentation of this release. Included is a 16-page booklet that has wonderful photographs and top-notch liner notes by Sylvie Simmons. The booklet reproduces the same content of the booklet included in the CD/DVD release, but in a much larger format that is easier to read and enjoy. It really makes the numerous archival photographs easier to appreciate. It is rare to see such entertaining and insightful liner notes that significantly add to the product, but that is plainly the case here. Aside from a menu, there are no extras on the disc itself.

Currently this BD is an exclusive title at the Internet retailer Amazon. Fans of Leonard Cohen need to go out and pick this item up immediately. The concert is a window to a much younger looking-and-sounding Leonard Cohen. The sound quality alone is enough reason to buy it, for Cohen truly invests emotion and vigor into the performance that puts a new spin on songs for fans only familiar with the album versions. His vocal inflection adds a bit of emotional weariness to "The Partisan" for example that is simply not there on the album version. The only lackluster performance is "Famous Blue Raincoat", where it sounds as if Cohen's voice grows fatigued. The backing musicians all give splendid accompaniment to the music, though the camera rarely shows them aside from the two comely female singers at Cohen's side.

Subtitles available:
Spanish
English
French
Dutch
Italian
German