4/5 i bury the dead
  by J. tanquary (california)
this movie to me isnt not a five star butt with famous actor it goes from three to four other wise its really not that great it does have unique story and some moments of trying to figure it out butt it lacks something so its a four. any lower i think your missing some marbles in your brain

4/5 Great fun
  by Mr. S. Hill (Milwaukee.USA)
Not the best films from the Drive-in Disc collection, but still great fun. 'The Hand' is pretty bad, actually, but 'I bury the living' is spooky enough. You could choose to watch them separately without the adverts, extras and the drive-in sound effects, but I'm not sure why you would have bought this otherwise - the whole effect is the point of the DVD. If you're new to Drive-in Discs, I wouldn't start here due to 'The Hand' letting the side down a bit, but worthwhile if you're slowly building up your drive-in library.

4/5 A fun old horror film -- just don't expect too much!
  by Patrick W. Crabtree (Lucasville, OH USA)
Here you will see Richard Boone in a very non-typical role for him... that of a refined businessman. And he pulls it off nicely!

The story is this: As a matter of local tradition, a reluctant Boone is required to take charge of the administration of the local cemetery. He doesn't have to do much, just approve activities and write an occassional check to pay the old caretaker who has always kept things running smoothly. In the cemetery's old administration building is a map of the grounds -- certain colored pins in the map represent the occupied spaces while others stand for folks who are still living. And what do you think happens when Boone accidentally sticks the wrong-colored pin in a buddy's spot??? Yes! ...and a tormented Boone feels a compelling need to test fate again!

This is just an old Black-and-White B-horror flick, nothing earth shattering, but I have enjoyed the film enough to watch it 2 or 3 times. Someday soon, I'll watch it again. It sort of yields the ambiance of: The Little Shop of Horrors.

Recommended to fans of old horror flicks.

5/5 Night of the Dead Living. A Reliable Seller on Amazon.
  by Mike Liddell (Massachusetts)
You might think with a title like I Bury the Living you may be getting a horror film along the lines of The Vanishing - Criterion Collection. Wrong. Conceptually think the killer from the The Final Destination Thrill-Ogy (Final Destination/ Final Destination 2/ Final Destination 3) films, also known as fate, death, or destiny, put that power in an unknowing human and viewers get to watch things from death's perspective as opposed to the victims. It sounds confusing but it isn't.
There is no gore in this flick but to those who like their horror with a twist, or better yet lovers of Twilight Zone: The Complete Definitive Collection, to you I say (In my best Zelda Rubenstein voice), come to the light, all are welcome.
Oh ya, the plot. It's simple enough. Robert Kraft, a successful man, president of a retail store, and on a committee responsible for a local cemetery his family has ties too. Each year the committee appoints a new director to handle the cemetery and this year it's Bobby's turn. Bob stops by to let the caretaker know that It's time for him to retire with full pension after 40 years of dedicated service. The caretaker shows Bobby around and too the large map of the cemetery that keeps track of all the plots with it's vast grids of squares. Each square or plot with a black pin in it represents a grave that has been filled by someone who has deceased. Each square with a white pin is for those who have made future arrangements for their burials. One problem, Bob accidentally puts two black pins in a young, very much alive, just married couple instead of white, and soon after they both die! After hearing the news Bob gets an eerie feeling that it's more than a coincidence and randomly takes out a white pin on the map hanging on the wall and replaces it with a black one, guess what, they die too. It seems whatever reserved plot that Bob sticks a black pin in someone dies. Picture the horror of scientist Andre Delambre from The Fly Collection (The Fly [1958] / Return Of The Fly / The Curse Of The Fly) who tampered with nature, but here it is nature that tampered with Bob.
The question is; What happens if Bob replaces the black pins of the deceased with white ones?! DUH! DUH! DUH!

THE SELLER: INETVIDEO
The dvd is no longer available, so I found a seller on Amazon offering it brand new for only $4.68. My experience with this is usually a saran wrapped dvd that looks like it's been burnt, so I was leary but I figured It's five bucks. I was shocked to find it had all three security tags on (which I kind of hate, but it appeared to be new), the dvd was immaculate, as a collector of dvds I hate it when one shows up banged up. Still hesitant, thinking this seller has an in with security tags, I popped to the movie in expecting to find a burned version and to my surprise watched a pristine black and white Midnite Movies quality dvd.
This is a (from my limited experience) great seller here on Amazon and someone that deserves their high rating and one I will use again. Thanks INETVIDEO.

4/5 B-movie greatness.
  by Robert P. Beveridge (Cleveland, OH)
I Bury the Living (Albert Band, 1958)

I Bury the Living has a really cool little premise for a B-movie shocker: what if a map of a graveyard, which hangs in the office of the caretaker, were to actually have the power of life and death over those who had already reserved plots there? Robert Kraft (The Shootist's Richard Boone), the cemetery's new overseer, accidentally replaces the white pins (showing a plot has been reserved) with black (showing a plot that's occupied) one afternoon; the couple whose plot was the receptacle of the mistake die in a car accident that night. He tests the hypothesis with another random name; the owner of the plot keels over. Kraft slides farther down the brink to insanity, even as the graveyard's longtime caretaker Andy McKee (TV character actor Theodore Bikel, perhaps best remembered on the big screen for The Defiant Ones) and police lieutenant Clayborne (Robert Osterloh of Rosemary's Baby) keep assuring him that the string of deaths must be coincidence. Eventually, though, Kraft finds himself asking the question that the audience has been asking all along (or maybe it's just me): what happens if he takes the pins out?

Band, best remembered these days as one of the guys behind B-horror studio Empire Pictures in the eighties (responsible for, among other things, the rise of Stuart Gordon), was a pretty good director back in the day. Don't let his eighties and nineties flops (Ghoulies II, Robot Wars, Prehysteria, etc. etc. ad nauseam) fool you. While you can expect all the usual useless trappings of a fifties B movie to be well represented here (the egregious love-story subplot, odd shots that have little if anything to do with the picture itself, that wonderful conceit where they film a nighttime scene in broad daylight, and you're just supposed to ignore the sunshine, etc.), there's some iron hidden under the guts. Boone, by far the best actor of the bunch, at least in this movie, nails his role. Fifties horror flicks, even of the no-budget variety, were still all about the acting, and this one's no exception. The fear in this movie comes from Robert Kraft's belief that he is making this stuff happen, and that's the difference between a decent movie and a really good one. It's overlooked these days, neglected, but it deserves to be rediscovered. *** ½