4/5 Not in Tune with Each Other
  by Randy Keehn (Williston, ND United States)
I was not sure what to expect from a military movie with the title "Tunes of Glory". There is much to the meaning of the title but I at least gained some immediate understanding when I saw how important the bagpipes were to this battalion. This is the story of two competing officers. One was acting commander commander and replaced by the new official commander. Their styles of leadership were different. In fact, they were more like opposites. The popular acting commander became second in command with the arrival of the new commander and that was the breeding ground for all the emotional conflict that emerged in the film.

This is a screenplay that could easily be adapted to the stage and I wouldn't be surprized if it has already been done. The dialogue supercedes any action that takes place in the movie and that was OK with me. The acting from top to bottom is supurb as well as the directing and, of course, the writing. I may be out of step by rating this film with four stars instead of five. However, all I had to do was to reflect on Alex Guinness's previous film, "Bridge on the River Kwai" to remember that there is a level of greatness that "Tunes of Glory" does not reach. Nonetheless, this film is definitely worth watching.

5/5 Collision Course
  by F. S. L'hoir (Irvine, CA)
"Tunes of Glory" tells the story of what happens when the proverbial irresistible force meets the immovable object. Alec Guinness in the persona of Major Jock Sinclair represents the former, and John Mills represents the latter in role of Lt. Colonel Basil Barrow, who is sent to replace Sinclair as permanent Colonel of a Scottish battalion. Sinclair is a popular former (bag-) Pipe Major who has risen up through the ranks because of his heroism in the desert campaign of El Alamein in World War II. Barrow, whom Jock belittles, calling him "Barrow Boy" [street vendor], is the antithesis: a graduate of Eton and Oxford, he is descended from a long line of colonels who have themselves commanded the battalion. Barrow has therefore inherited the "Idea" of the regiment, while Sinclair has grown up at its heart and has grafted himself onto what he considers its spirit.

I cannot recall two other actors who are so well matched in equality of strength. One gets the feeling that if any other actor had been cast in only one of the respective leading roles, either Guinness or Mills would have dominated that unfortunate actor. But these two giants are equipollent in ability. Furthermore, they have a history of acting together. Guinness was outstanding as Herbert Pocket (his first role) in Dickens' "Great Expectations" where he played alongside of John Mills, who portrayed Pip. In "Kind Hearts and Coronets" Guinness also worked with Dennis Price who, in "Tunes", plays Major Charles Scott, whose motives are as enigmatic as he is aristocratic. Jock never tires of addressing him mockingly as "Old Boy!" And although Charlie seems to tolerate Jock's japes good-naturedly to a point, when the tension between Jock Sinclair and Basil Barrow explodes, Charlie's motives become ambiguously opaque.

The excellent ensemble cast includes Kay Walsh as Jock's actress and "bit on the side" and Gordon Jackson (of Upstairs-Downstairs fame) as Captain Jimmy Cairns, the only man who really tries to understand the difficulties of both antagonists; and the incomparable Duncan Macrae as the sympathetic Pipe Major MacLean.

Ronald Neame's direction is superb, and the disc includes a fascinating interview with him about the making of the film and his warm relationship with the actors. The cinematography captures the essence (or what convinced me was the essence, since I have no personal knowledge thereof) of the officers' quarters: gothic elegance downstairs--the great fireplace and tall leaded windows; the paneled dining hall with its regimental silver; and Spartan rudiments upstairs in the sleeping quarters. The dour grey skies and the powdering of snow outside seem to exacerbate the tensions and jealousies inside that not even the crackling fire in the immense grate can dispel.

A star of the film is certainly the piping and the precision marching of the splendidly kilted highland pipers, who pipe all the tunes of glory that accompany the cinematic narrative, and fully epitomize the "Idea" of the Regiment.

5/5 Tunes of Glory
  by Christopher J. Bradley (Ohio)
A must for Alec Guinness fans and for those who enjoy tunes played by the pipes.

5/5 Great story
  by Daniel R. Morris (Portland, OR)
As a combat vet I found it very interesting to see how many PTSD symptoms that were being displayed by both Jock Sinclair and LTC Barrow. Very interesting as the concept of PRSD had yet to be discribed when this movie was made.

5/5 Tunes of Glory
  by John Farr
Ronald Neame's battle of wits is a perceptive reflection of the British class system, revealing the dire consequences when two men of opposing wills, backgrounds and character collide in competition for the loyalty of the soldiers they lead. Both Guinness and Mills match each other's high standard, each delivering stunning portrayals of two very different men. Don't miss the jaw-dropping conclusion. An unsung triumph.