5/5 Better than Smoke Signals
  by Miroslaw A Drozdzowski (Brooklyn, NY United States)
I just saw this film at the Native American Museum in New York during it's premiere in this city. It's an amazing film. Darker and more thought provoking than Smoke Signals, it still maintains the sense of humor so characteristic of Chris Eyre's work. The story takes place in Pine Ridge County, SD, which is, as we quickly learn from the film, the poorest county in the United States. It is also Oglala Lakota Indian reservation. The film is shot on location, with all the starkness of the surroundings carefully exposed. The narrative revolves around two brothers. Rudy (Eric Schweig) is a cop and a vigilante, who is using legal and extra-legal means to help his community. Moggy (Graham Greene) is a triple Purple Heart Vietnam veteran and a chronic alcoholic who tries to maintain a sense of humor in face of misery and depression. Deep love between the brothers serves as the backbone of the plot. Things get out of hand when Rudy's vigilantism causes Moggy's suffering. Chris Eyre employs both tragic and comic elements to give the film a fresh and unique dynamic. And a provocative ending.

4/5 Thoughtful, uncomfortable and sad. But I learned a lot.
  by Linda Linguvic (New York City)
This 2002 film takes place on the Pine Ridge Reservation in North Dakota. It's a sad place, steeped in poverty and alcoholism. The camera brings us into the dilapidated homes and shows us the barren terrain. And the Director, Chris Eyre, has wisely chosen an all-Native cast. Don't be fooled by their Anglican sounding names. They're all Indians, either from America or Canada.

The story is about two brothers in their late forties. One is a cop and the other is a burnt-out alcoholic who sometimes thinks he's still in Vietnam. Flashbacks show their abusive childhood and their dependence on one another. The storyline shows us how Eric Schweig, cast as the cop brother, helps his brother over and over again. Graham Greene is cast as the alcoholic and even though we see him mostly drunk and creating chaos for everyone, get to know him as a real person with hopes and dreams and missteps along the way.

We learn about life on the reservation and the history of the massacre at Wounded Knee. And we also learn why the Mt. Rushmore carving of the four American presidents is so upsetting to the Indians who see rocks as sacred. As the story moves along, we see the cop brother become a vigilante and solve a murder investigation. Later, he sets a liquor store on fire. When his brother is burned in the fire, the story comes to a pivotal point and we get a glimpse of the unwavering love of the brothers for each other and the sense of family in the entire community.

This is a thoughtful movie that's a bit uncomfortable to watch. It left me sad and pensive. And yet it taught me something too. Recommended.

5/5 Excellent movie . . . but read the book
  by Ronald Scheer (Los Angeles)
Native American director Chris Eyre has created another excellent film about life on the reservation, told from the Indian point of view. Other reviews here represent the content of the film well, its story line involving two brothers and its social commentary, exposing the impact of poverty and alcoholism on the Lakota Sioux descendants of Sitting Bull and Crazy Horse.

The movie, however, provides only a partial view of the book it's based on by Indian writer, Adrian Louis. His novel, "Skins," has enough material for a 10-part miniseries. It immerses the reader in the deeper complexities of its subject matter, exploring the dimensions of its characters more thoroughly (and with darker humor) and conveying a great deal more about life on the reservation, with its compelling mix of Indian and white cultures and the resulting ambiguities, competing world views, and conflicted values. It is significant that Iktomi, the trickster spirit and shape-shifter, is a central theme in both novel and film, for appearance and reality, wisdom and stupidity, pride and shame, love and rage are all in a continuing dance for dominance.

Rudy, the Indian cop, portrays these confusing conflicts beautifully, representing both the law in his tribal police uniform and vigilante justice in his blackface and pantyhose mask. The author's book explores other dimensions of Rudy's confusion by letting us learn more about his relationships with women. In the novel he is married and estranged from his wife, and we follow the rocky ups and downs of his growing attraction to his cousin's wife, Stella, while he carries on with other men's wives as well. Afflicted with hypertension, he takes meds that affect his sexual performance, and much of the novel traces the rising and falling cycles of his libido, all of which are unpredictable and seemingly under the spell of Iktomi. Finally, while the film makes clear the love that bonds Rudy to his brother Mogie, the depth of that love comes across more strongly in the novel, as well as the demons that haunt Mogie and produce brotherly conflict.

See the movie first, so you can more easily visualize the world that Adrian Louis describes and enjoy the wonderful performances of Eric Schweig and Graham Greene. Then read the book and allow yourself to know this subject and comprehend the Lakota culture more deeply. The ending, involving Mt. Rushmore, which is given an abruptly abbreviated treatment in the movie, will also make a lot more sense.



5/5 99% Real, Honest Portrayal of Pine Ridge
  by
Those are the word of my 78 year old grandmother who was born and raised on the Pine Ridge Rez. This film reminds me of the place where I learned so much about my culture, and had so much fun with my cousins. This exploration into the community, should be seen by those who desire a glimpse into modern rez life. Wounded Knee happened only a little over a hundred years ago, and genocide did not end with the massacre. White Clay sets the example as this town is filthy rich, dependent on alcoholics for profit. They do not care how many Indians die, just like Lincoln did not care when he mass-hanged the Sioux. Carved into Paha Sapa, Mount Rushmore, is the ghosts of 4 presidents (including Ol' Abe) who face the east over the land of the Oglala Lakota. Some people see this as "mockery", would the Jewish appreciate a huge stone carving of Hitler staring down over Tel-Aviv? Each president has contributed more of less to exterminating the NDN. This movie will hopefully inspire some to see past their 9th grade politics class and learn more about multi-dimensions of U.S. History.

5/5 Brilliant
  by Jeffrey Leach (Omaha, NE USA)
Shortly after receiving my driver's license I decided to take a road trip through Nebraska. At one point in my journey I suddenly noticed Indians everywhere--driving down the road, sitting in parking lots off the state highway, and standing in front of decrepit looking buildings. "What's going on here?" I said to myself, not knowing at the time that I was cruising through the Winnebago reservation in Northern Nebraska. I always tell this story to friends nowadays, especially ones who champion Native American rights, and it never fails to get a laugh. Why? Because they know most of us rarely encounter Indians, let alone spend any time on reservations. Out here in the Midwest, you will still meet Native Americans from time to time outside of reservations. If you live on the East or West Coast of the United States, however, you probably have little interaction with Indians. Oh, you might have seen one on a college campus, or know someone who knows someone who has some "Indian blood" flowing through their veins, but most Americans have only seen Indians in old photographs or on television. In short, we have little idea about the plight of the modern day Native American. That's why a movie like "Skins" is an important piece of cinema that all of us should watch.

"Skins" focuses on two brothers living on the Pine Ridge reservation in South Dakota, just down the road from Mount Rushmore. Pine Ridge is the poorest county in the United States, rife with chronic alcoholism, high infant mortality rates, sky-high unemployment, and low life expectancies. It's a rough place to live and raise a family, a fact Pine Ridge police officer Rudy Yellow Lodge learns anew everyday as he deals with murders, assaults, rapes, and other alcohol and poverty induced rampages. When he isn't fulfilling his duties, he's attempting to deal with his alcoholic older brother Mogie, a Vietnam veteran who always likes to stir up some trouble on the reservation. But Rudy has more problems than putting up with his brother. The police officer is sick to his soul about the abhorrent conditions on the reservation, and one day he decides to do something about it. What Yellow Lodge does is perhaps a series of small gestures, merely a drop of remedy in an ocean of social sickness, but he feels it is good for his sanity and good for his people.

What Rudy does is turn vigilante. The idea comes to him after he falls and hits his head on a rock while pursuing a fugitive in a murder case. From this point forward, Yellow Lodge wreaks havoc on Lakotas who assault their fellow Lakotas. He beats two youths with a baseball bat, breaking their knees in the process, after he learns about their involvement in a heinous crime. A bigger mission concerns the liquor stores in Whiteclay, Nebraska. Since alcohol sales on the reservation are a big no-no, Indians drive down to Whiteclay to buy their poison. Yellow Lodge rapidly tires of seeing his people buy booze at the stores, so he decides to torch one of the businesses in the middle of the night. Like I said, it's a small gesture that won't mean much in the long run (other stores will open for business in the morning as sure as the sun rises), but taking an extreme action makes Rudy feel good about himself. After all, he's a cop sworn "to serve and protect" his people, and what better way to fulfill this promise than to strike a blow against the individuals who make his people's lives miserable. There's a problem with Rudy's willful actions, though. For one thing, they don't entirely embody Lakota virtues. Also, even the best actions have a tendency to hurt the ones we love, and the results of the fire at the liquor store nearly destroy Rudy Yellow Lodge's life.

The performances in "Skins" are excellent. Director Chris Eyre assembled a largely Indian cast for his film, and they all do a good job. Eric Schweig works wonders as the emotionally conflicted Rudy Yellow Lodge. He's so riveting to watch that you immediately feel an empathy with his character even when the guy does some bad things. For the role of Mogie, Eyre cast none other than Graham Greene. A character that is a raging alcoholic with a serious authority problem might not be the easiest role to pull off, but Greene does it with an effortlessness that is startling to watch. Both of these characters move against the backdrop of a reservation clogged with run down houses and shacks, rutted roads, and broken lives. If you think everything is doom and gloom in "Skins," however, you're wrong. Eyre injects the film with an enormous amount of humor, which might come as a surprise. Many people don't associate Native Americans with a sense of humor because they've seen old black and white photos of stone faced Indians awkwardly posing for the camera. "Skins" shows that Indians use humor in part to cope with their difficulties.

It is difficult to watch "Skins" and not feel pity for the residents of Pine Ridge, but Eyre is attempting something more with his picture. Instead of trying to get us to feel sorry for the Lakotas, he wants his audience to know about their problems and how Lakotas live their lives in spite of them. I applaud Chris Eyre for gracing us with this amazingly insightful film about a world far too few of us know about. "Skins" is fascinating, funny, thought provoking, and even--surprise--entertaining. Add this one to your rental/buy list posthaste.