5/5 Magnificent in all aspects
  by Robert Hensley (Knoxville, TN USA)
Turandot is the one Puccini Opera that lends itself to the most opulent of settings. Franco Zefferelli is one of the few producer/directors who could fill the expanse of the Met stage with jewels in a setting. Domingo is at the height of his career and Marton is perfect as the icy princess. Kudos especially to Leona Mitchell as Liu and Paul Plishka as Calaf's father, Timur. Incidentally, there are the best Ping, Pang and Pong I've ever heard or seen. Grab your copy before it disappears from any profferings or gets a price like Julia Migenes' "Carmen" of $1,500.00. This production is a must-have for any listener of opera.

4/5 Puccini's Great Unfinished Opera
  by C. Robert Broerse (St.Catharines, ON.)
For those who are familiar with 'Madame Butterfly' and 'Tosca', 'Turandot' is a considerable hurdle for some opera viewers and lovers. Puccini was the great heir to Verdi, he had established himself with 'Manon Lescaut' and created hits with his verismo works such as 'Il Tabaro' and 'La Boheme'

So why is 'Turandot' a hurdle? First it was left unfinished. Puccini died in November 1924 succumbing to throat cancer. Alfano, under the great conductor Toscanini finished the opera. The composer had left behind sketches and notes for the last act. (When you watch the opera, everything is Puccini until Liu's final aria in Act III, scene 1.) So what begins as Puccini ends as what others believe Puccini wanted. Of course it is excellent, true to form and as good as its going to get. Secondly, despite Calaf's and Liu's moving arias (especially 'Nessum Dorma' made famous by the NFL and 'Moonstruck'), the music is getting closer and closer to the modern styles of Strauss, Berg and the atonal crowd of composers of the early twentieth century. Where before we hear the beautiful motifs of Mimi and Rudolfo, flowing in and out of the music, 'Turandot' offers a musical circus of expressions, medleys, tempos. It is a richer Puccini, diverse, eclectic, multicultural but not as endearing.

In consideration of the performances, I feel strongly it is Leona Mitchell as Liu that steals the show. As an audience we are drawn to the hero because he challenges Turandot, he wants to solve her three riddles and marry, all at the risk of losing his life. Yes, it is captivating and it keeps us bound to the story. But Domingo as Calaf and Eva Marton as the Princess, although we are satisfied with their performance, not completely moved. Perhaps it is the role of Liu but I'm sure, very positive it was Mitchell's delivery - her singing gave me shivers. This also has to do with Puccini's style at the time. When Domingo and Marton are given the chance to sing, they are closer to the modern whereas Liu's arias feel closer to the earlier Puccini most of us know and love. I fell in love with Mitchell's voice.

Domingo's strongest role, I feel is Otello. Here, he is just a little too close to not pulling it off. His 'Nessun Dorma' doesn't have the gravity and power of Pavarotti's. If there were any other weaknesses, it doesn't show until he sings at night about how none shall sleep. Impressive, obviously but it won't shatter through your soul. I still think Domingo is a better actor and his love for the princess is heartfelt.

This opera is a satisfying challenge. The staging is excellent, the sets incredible, all the exotic notes are there, the chorus delivers. Zeffirelli's direction is a must-see. It is a visual splendor matched with a haunting fairy tale story. Well worth the time and dedication to know it but truly, keep your eyes and ears open for Mitchell. She makes this production shine.

5/5 This is Turandot..it does not get better.
  by Atlanta
This is truly pucinni's turandot. this is the real thing. I cannot visualize truandot being performed with any additional grandeur, or display of fine opera on the stage. eva and placido are the ones. I have seen on stage zeffirellis producition of turandot and it is always super but any production is always compared to this one. Great opera at any price.

2/5 Bring back the1960's
  by Brooklyn GV (Brooklyn NY)
Where's Cecil Beaton when you need him. When you have the greatest singers of the last half of the 20th century, Nilsson and Corelli, you don't need all this excess! The Met has toned this production down shortly after this broadcast. This production is so busy I hardly even noticed the singing. You'll find every thing you need on the stage but a basket ball court.

5/5 Awesome
  by Erica M. Caesar
I was a little reluctant to purchase such a popular title; however, I was not disappointed because the costumes and performances were wonderful. I found myself clapping from my living room when watching.