April in Paris gives a rare leading role to Ray Bolger, whose mugging style, better suited to the Broadway stage, contrasts with Day's camera-ready shine; the two don't have much chemistry together. The flat story has Doris as a chorus girl mistakenly invited to represent the U.S. at an international peace conference. At least the Vernon Duke-composed songs, most with lyrics by Sammy Cahn, are a decent lot, and of course Bolger can dance up a storm, notably in a trick number that has him performing with two versions of himself dressed as Lincoln and Washington. Much different in tone is The Tunnel of Love, from 1958, a leering farce based on a play (itself based on a Peter DeVries novel). Doris is married to uptight cartoonist Richard Widmark when an adoption scheme puts hubby in too-close proximity to the lady (Gia Scala) from the adoption agency. Gene Kelly's smarmy direction does nothing to improve the bizarre premise; only Gig Young and Elizabeth Wilson hit the right pitch. The discs include the usual Warners collection of shorts and cartoons, but no Day-specific supporting extras. --Robert Horton